Court’s Theatre & Thought series connects audiences to expert insights from University of Chicago faculty about the historical context, thematic relevance, and artistic possibilities surrounding classic works. Each Theatre & Thought topic will feature a different play and include virtual meetings with University scholars to discuss the ideas underpinning these classic texts.
Court’s remote, digital experiences are produced in partnership with the University of Chicago Graham School’s Arts@Graham series.
Select 1 course or enjoy the whole series! 5-play subscribers will have access to all seminars listed below. 3 and 4-Play subscribers may select the entire Theatre & Thought series as just one of their play selections. 3-play subscription packages start at only $96—a huge savings over purchasing seminars separately. Individual enrollment for the Theatre & Thought series is $85 per course.Subscribe and Save
The World of August Wilson + The Black Creative Voice
Dr. Kenneth Warren, the Fairfax M. Cone Distinguished Service Professor in English at the University of Chicago, and an expert on American and African American literature from the late 19th century through the middle of the 20th century, shares insights about urbanization and the Black creative voice, including a conversation with Professor Adrienne Brown, author of The Black Skyscraper: Architecture and the Perception of Race and Associate Professor in the Department of English. Court’s Resident Artist Ron OJ Parson, a leading interpreter of Wilson’s work, will join Dr. Warren in this conversational, intimate look at the American Century Cycle and one of America’s most essential classic playwrights, examining excerpts of Wilson’s work and their impact on generations of Black artists.Wilson Seminar Registration
Euripides’ The Bacchae + Contemporary Adaptations
The extant Greek plays continue to speak to contemporary cultures, fueled by a myriad of creative retellings and adaptations by contemporary playwrights. Euripides’ ancient Greek tragedy explores the consequences of mixing the personal and political and the importance of listening to the will of the people. Sarah Nooter, renowned author and faculty member of the Department of Classics and the College, shares insights about the dramatic elements that make Euripides’ tragedy ripe for adaptation. A translation of The Bacchae by Court’s Founding Artistic Director, Nicholas Rudall, a premier translator of Greek texts, will form the foundation for these discussions. The inventive Chicago-based director Monty Cole will lead a reading of The Bacchae during one session, its themes reverberating with uncanny resonance in 2020.Euripides Seminar Registration
Caryl Churchill’s Fen + The Dramaturgical Process
Employing astonishing theatrical imagery, Caryl Churchill’s Fen interrogates issues of gender, class, and exploitation with grace, humor, and anger. Dramaturg and University of Chicago lecturer Derek Matson (Photograph 51, The Mousetrap) digs into the multitudinous themes and histories that make Churchill’s play tick, offering insight into how this type of research informs the creative process and how dramaturgy is conducted in the theatre. Jeff Award-winning director Vanessa Stalling (Photograph 51) will join Matson in these conversations to discuss how dramaturgy fuels her own work as an artist.Churchill Seminar Registration
Lorraine Hansberry’s Les Blancs + Racial Injustice
Widely considered to be Hansberry’s last and perhaps most important work, Les Blancs explores issues of coloniality, Black nationalism, and imperialism in a fictional African country that stands in for Black freedom struggles across the diaspora. Tina Post, Assistant Professor in English at the University of Chicago, will explore the play’s portrayal of racial injustice and black resistance in conversation with Gabrielle Randle-Bent, a Hansberry scholar and Court’s Inaugural Research Fellow.Hansberry Seminar Registration