University of Chicago professor and author Kenneth Warren looks at how the cultural landscape of the nation was forever altered by the Harlem Renaissance.
In September, the artistic director position at Court was named the Marilyn F. Vitale Artistic Director in appreciation of the Vitales’ significant donation to Court Theatre.
Court's Founding Artistic Director and renowned translator, Nicholas Rudall, reflects on Court's 3-year cycle of Greek plays—Iphigenia in Aulis, Agamamemnon, and Electra.
Jacqueline's creations for Iphigenia in Aulis, Agamemnon and now Electra tell a powerful story of their own, tracing the narrative arc of tragedy through subtle changes in fabric, color, draping and visual concept.
This year in Electra, we see many returning faces from Agamemnon and Iphigenia in Aulis, but we are also introduced to a few new faces that leave a lasting impression. Kate Fry (Electra) joins Sandra Marquez (Clytemnestra) in the final tragic chapter in Court Theatre’s Greek Cycle.
Court Theatre's Shelby Krick sat down with Man in the Ring Playwright Michael Cristofer to explore his career, the rehearsal process, and boxer Emile Griffith.
Court Theatre is proud to have the longtime support of Neil Ross and Lynn Hauser, friends and strong advocates of the theatre. Since 2010, Neil and Lynn have been consistent patrons of Court.
