Radio Macbeth

AKIKO AIZAWA (Ensemble) has been a member of The SITI Company since 1997, after seven years as a member of the Suzuki Company of Toga.  With SITI:  Who Do You Think You Are,  Radio Macbeth, Hotel Cassiopeia, bobrauschenbergamerica, A Midsummer Night’s Dream, Intimations for Saxophone, La Dispute, War of the Worlds, War of the Worlds (Radio Play), Culture of Desire, Nicholas and Alexandra, Marina: A Captive Spirit and systems/layers. Roles with SCOT include:  The Trojan Women, Three Sisters, Dionysus, Macbeth, Ivanov.  Theatres/ Festivals include:  American Repertory Theatre, Arena Stage, Court Theatre, Japan Society, Krannert Center, Los Angeles Opera, New York Theatre Workshop, Performing Arts Chicago, Walker Art Center, Wexner Center for the Arts, Australian Bicentennial EXPO, BAM’s Next Wave Festival, Biennale Bonn, Dublin Theatre Festival, Edinburgh International Festival, Humana Festival, MC 93 Bobigny, Melbourne Spoleto Festival, Toga Festival, and Under the Radar Festival.

WILL BOND (Ensemble) is a founding member of the SITI Company.   He has performed and toured nationally and internationally in SITI’s Orestes (by company member Charles Mee Jr.), The Medium (Obie Award winner), Small Lives/Big Dreams, Culture of Desire, Bob (Obies for Lighting and Sound and three Drama Desk Nominations, including best solo performance of the year), War of the Worlds, War of the Worlds - The Radio Play, Cabin Pressure, bobrauschenbergamerica, La Dispute, Death and the Ploughman, Lilith and Seven Deadly Sins (New York City Opera), Radio Macbeth and most recently in Who Do You Think You Are.  He has toured with Tadashi Suzuki and SCOT in Dionysus and with Robert Wilson’s Persephone. Recent roles outside SITI include Macbeth, The Lover and Creditors at Actors Theatre of Louisville where he is an associate artist. Regional works include Mystery of Irma Vep, Greater Tuna, Greetings, Holiday, Night Must Fall, Suddenly Last Summer, The Tempest and Hamlet. Will has taught in schools and festivals all over the world and in the US, including Williams College, Old Dominion Univ., Amherst, Harvard, Columbia Univ., NYU, Trinity College Dublin, The Royal Shakespeare Company, Stratford-upon-Avon. He is currently Artist-In-Residence in the Theater Department of Skidmore College.  Will has developed and collaborated on a performance called History of the World from the Very Beginning with composer/musician Christian Frederickson, which was first performed at the historic Caffe Lena in Saratoga Springs, NY.

GIAN-MURRAY GIANINO (Ensemble) is the third generation of a New York acting family. New York: Stitching, Wild Project, U.S. Premiere; Paradise Park, Signature Theatre; Eurydice, Second Stage; Radio Macbeth, The Public Theatre; Bone Portraits, SoHo Rep; Psyche, Ohio Theatre; bobrauschenbergamerica, BAM, Next Wave; Crave, TheatronInc/XOProjects; Transfigures, Stillpoint Prod and Al Pacino’s Salome readings (NY & LA). Regional: Eurydice (Yale Rep); Intimations for Saxophone (Arena Stage); Crazy Eyes (Provincetown Rep); Systems/Layers (SitiCo/Nat’l tour). He has toured globally with Anne Bogart’s SITI Company including the Humana Festival, Stamford Performing Arts, Athenaeum, Krannert Center, Walker Center, Wexner Center, Bobigny Festival, Bonn Biennale and Dublin Theatre Festival. FILM: Painting Abby Long (upcoming), Dead Canaries (w/ Charles Durning), Tale of Two Corners, Hospitality, Up to the Roof. TELEVISION: Law and Order: SVU, All My Children. B.A.: Wesleyan University.

ELLEN LAUREN (Ensemble) is the Associate Artistic Director for SITI.  SITI credits include Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, Death and the Ploughman, A Midsummer Night’s Dream, ROOM, bobrauschenbergamerica, systems/layers, War of the Worlds, Cabin Pressure, The Medium, Culture of Desire, Going, Going, Gone, Orestes. National and international venues include Dublin Festival, Maastricht Holland, Bonn Festival, Bogota Festival, BAM Next Wave Festival, Paris Bobigny Festival, Melbourne Festival, Edinburgh Festival, Singapore Festival, The Wexner Center, Walker Art Center, Krannert Center, NYTW, CSC in NYC.  Regional credits with SITI include San Jose Rep, ART in Cambridge, Actors Theatre of Louisville (ATL). For the last 16 years, she has held SITI ongoing classes and residencies in the U.S. and abroad. Additional credits include The Adding Machine (ATL); Picnic (ATL); The Women (Hartford Stage); Seven Deadly Sins (New York City Opera -Kosovar Award for Anna II); and Marina: A Captive Spirit, all with Anne Bogart. Resident company member: Stage West (Springfield, Mass.), The Milwaukee Repertory, The Alley Theatre (Houston) Ongoing Guest Artist for seventeen years with The Suzuki Company, under the direction of Suzuki Tadashi. Performance and workshop venues with Suzuki Company include Moscow Art Theatre, Taganka Theatre, Alexandrinksky Theatre in St. Petersburg RSC in London, Theatre Olympics in Athens, The Malthouse in Melbourne, Istanbul International Festival, Festival Mundial Chile, Sau Paulo Brazil, Teatro Olympico in Italy, Montpelier Festival France, Hong Kong Festival. Ongoing faculty member for nine years at The Julliard School of Drama, New York City; Associate Director Summer Training Program, Suzuki Company Toga, Japan.

BARNEY O’HANLON (Ensemble) has been collaborating with Anne Bogart since 1986.  As a member of SITI, he has performed nationally and internationally with productions of Who Do You Think You Are, Radio Macbeth, Hotel Cassiopeia, Intimations for Saxophone, A Midsummer Night’s Dream, La Dispute, Hay Fever, bobrauschenbergamerica, War of the Words, War of the Worlds - The Radio Play, Culture of Desire, Cabin Pressure, and Small Lives/Big Dreams.  He has also choreographed and appeared in the world premiere of Nicholas and Alexandra at Los Angeles Opera;  Lilith and Seven Deadly Sins at New York City Opera; and additional Bogart productions at the Alley Theatre, Trinity Rep., River Arts Rep., and Opera/Omaha.  Other regional credits include Tina Landau’s 1969 at ATL; Stonewall: Night Variations for En Garde Arts; Deadly Virtues and Hamlet at ATL and Jon Robin Baitz’s A Fair Country for Steppenwolf.  His choreography has appeared at BAM’s Harvey Theater, Arena Stage, New York Theatre Workshop, New York City Opera, Los Angeles Opera and at the Prince Music Theatre. He recently directed and choreographed the world premiere of systems/layers, a dance/theater collaboration between SITI and the Kentucky-based band Rachel’s, and appeared in the Rude Mechs’ Match-Play, which is based on Deborah Hay’s award-winning dance The Match.

MAKELA SPIELMAN (Ensemble) is thrilled to make her Court Theatre debut and work with Anne Bogart and SITI Company again! Previously, Anne directed her in Arena Stage’s world premiere of Intimations for Saxophone.  NY Theatre:  Roundtable Ensemble: Silence; Keen Theatre Company: Children of a Lesser God; Summer Play Festival: Spin Moves.  Regional Theatre: Actors Theatre of Louisville and Cincinnati Playhouse in the Park: Doubt; The Magic Theatre: The Crowd You’re In With (world premiere by Rebecca Gilman); Denver Center Theatre Company: Living Out; Arena Stage: The Miracle Worker; La Jolla Playhouse: The Burning Deck; The Shakespeare Theatre: Antony and Cleopatra and Measure for Measure; Folger Shakespeare Theatre: As You Like It; and four summers developing new work at The Eugene O’Neill Playwrights Center. Training: MFA, University of California, San Diego.

STEPHEN DUFF WEBBER (Ensemble) has performed with Anne Bogart and the SITI Company in theaters all over the U.S. and at festivals around the world, including: The Kennedy Center, BAM, The Humana Festival, Melbourne Arts Festival, Singapore Arts Festival, American Repertory Theater, Dublin Festival, Wexner Center, The Israel Festival, Edinburgh International Festival and The Bogota Theater Festival. Off Broadway: Death and the Ploughman (CSC), War of the Worlds (BAM), Culture of Desire (NYTW), Trojan Women 2.0 (En Garde Arts), Hotel Cassiopeia (BAM). SITI Credits: Radio Macbeth (Macbeth), Hotel Cassiopeia, Death and the Ploughman, War of the Worlds (Orson Welles), bobrauschenbergamerica, systems/layers (with Rachel’s), La Dispute, A Midsummer Night’s Dream, Cabin Pressure, Going, Going, Gone, Culture of Desire, The Medium, Private Lives, Hay Fever, War of the Worlds - The Radio Play (Orson Welles), Short Stories. Regional Theater: American Repertory Theater, Actors Theater of Louisville, Milwaukee Repertory Theater, San Jose Repertory Theater, Magic Theater, Portland Stage Company, Alabama Shakespeare Festival, Court Theatre.