KAYE VOYCE (Set and Costume Designer) previously designed Tartuffe, Life is a Dream, Mary Stuart, and Phedre at the Court Theater. Other recent credits include: Poor Beck (Royal Shakespeare Company), The Clean House (The Wilma Theatre), Here Lies Jenny (The Zipper), Guinea Pig Solo (LAByrinth/The Public Theater), Speed the Plow (Center Stage), Johnny Guitar (The Century Center), Valparaiso (Steppenwolf), The Death of Klinghoffer (BAM Next Wave Festival), Henry IV part 1 (BAM Next Wave Festival and the Hebbel Theater, Berlin, directed by Richard Maxwell), Osud (Bard Music Festival, directed by JoAnne Akalaitis), Bluebeard (Glimmerglass Opera, directed by Christopher Alden), and True Love (The Zipper, directed by Daniel Fish). Upcoming projects include Hamlet at the McCarter Theater and Show Boat at the Stadttheater in Bern, Switzerland.

ANDRE PLUESS and BEN SUSSMAN (Sound Designers/ Composers) return to the Court where they have designed over 15 productions, most recently Cyrano. They designed sound for Joanne Akalaitis productions of Life is a Dream, Phedre and Mary Stuart. Design and composition credits include projects for Lookingglass Theatre (Artistic Associates), Victory Gardens (Aesident Designers), About Face (Associate Artists), the Goodman, Steppenwolf, and many other Chicago theatres. Broadway credits include I am My Own Wife, and Metamorphosis. They have received 8 Joseph Jefferson Awards and Citations, an L.A. Ovation Award, a Drama Critics Circle Award and a Lortel nomination for composition and sound design. Some current projects include Intimate Apparel at Steppenwolf, The Clean House at Yale Rep., Silk and Mariella in the Desert at the Goodman, Pericles for Washington D.C. Shakespeare, Alice for Lookingglass, and One Arm with Tectonic/About Face. Pluess and Sussman composed the score for Winesburg, Ohio, a new musical for AFT/Steppenwolf theatres.

JENNIFER TIPTON (Lighting Designer) is well known for her work in theater, dance and opera. Her recent work in opera includes Janacek's Jenufa at the Dallas Opera, Handel's Agrippina and Berlioz' Beatrice and Benedict at the Santa Fe Opera and Don Giovanni at La Monnaie in Brussels. Her recent work in dance includes Paul Taylor's Klezmerbluegrass and Trisha Brown's Present Tense , Winterreise, and O Composite for the Paris Opera Ballet. In theater her recent work includes Craig Lucas' Small Tragedy at Playwrights Horizon, John Vanbrugh's The Provoked Wife at the American Repertory, Cambridge, Mass., Hamlet at the Longwharf Theater, New Haven and Poor Theater for the Wooster Group. Ms. Tipton teaches lighting at the Yale School of Drama. She received the Dorothy and Lillian Gish Prize in 2001, the Jerome Robbins Prize in 2003 and in April 2004 the Mayor's Award for Arts and Culture in New York City.