The Importance of Being Earnest










Actors

 

LANCE STUART BAKER (Algernon) is appearing in his tenth Court production, following Who’s Afraid of Virginia Woolf?, Cyrano, Guys and Dolls, Pericles, Cymbeline, Hamlet, Twelfth Night, Piano, and The Invention of Love. Other credits include Lobby Hero at Goodman (Jeff nomination), No Place Like Home at Steppenwolf, The Grey Zone at A Red Orchid, Indulgences in the Louisville Harem for Rivendell, Nocturne for Naked Eye, Betty’s Summer Vacation, [SIC], This is Our Youth (Jeff nomination), Ecstasy (Chicago and LA), Dealer’s Choice (Jeff nomination), Orestes, and Was for Roadworks. Lance is an ensemble member of Red Orchid Theatre.

SEAN ALLAN KRILL(Jack Worthing) Chicago credits: 1776 (Thomas Jefferson), The Pirates of Penzance (Pirate King) and Damn Yankees (Joe Hardy) at Marriott Theatre; Sunday in the Park with George (Soldier) at Chicago Shakespeare; Everything’s Ducky (Wolf) at Northlight; Jesus Christ Superstar (Jesus) and Brigadoon (Tommy) at Drury Lane Oakbrook; The All Night Strut! (Jeff Award - Best Revue) at Drury Lane Evergreen Park; and Forever Plaid (Sparky) original Chicago cast (Jeff Award - Best Ensemble, Best Revue) at Royal George. National Tours: The World Goes ‘Round , Thoroughly Modern Millie (Trevor Graydon III).

CRISTEN PAIGE (Cecily Cardew) returns to Court where she played Rita/Young Julia in James Joyce’s “The Dead.” Most recently she played Little Red in Into the Woods at Peninsula Players in Door County Wisconsin, where she also performed in The Taffetas. Chicago credits include The Visit (Goodman); Lucky Stiff and Dames at Sea (Drury Lane Oakbrook); Peter Pan and The Wizard of Oz (Chicago Shakespeare); Honk! and Bye Bye Birdie (Marriott Theatre); and Gypsy (Theatre at the Center). This spring Cristen will return to Court to play Cecily in Travesties.
HEIDI KETTENRING(Gwendolen Fairfax) was last seen at Court Theatre as Miss Adelaide in Guys and Dolls (After Dark Award). She has appeared in Chicagoland at Marriott Theatre in Lincolnshire (Jeff Nomination for Fanny Brice in Funny Girl), Chicago Shakespeare Theatre, Drury Lane Oakbrook Terrace, Theatre at the Center, Drury Lane Evergreen Park, Northlight Theatre, The Ravinia Festival, and the Chicago Humanities Festival. Regionally she has appeared at Peninsula Players and Bar Harbor Theatre. Heidi spent one year on tour with Disney’s Beauty and the Beast. She is a proud Northwestern graduate.
MARY BETH FISHER(Lady Bracknell) most recently appeared in The Dresser at Steppenwolf. Chicago credits include: Heartbreak House, Dinner With Friends, The Rose Tatoo, The Guys, Design for Living, Light Up the Sky, Marvin’s Room, Spinning Into Butter, Boy Gets Girl (Goodman), The Memory of Water (Steppenwolf), Away (Northlight), Theatre District (About Face), My Own Stranger (Writer’s). NY credits: The Night of the Iguana (Roundabout), Boy Gets Girl (Drama League Award and Lucille Lortel and Drama Desk nominations), The Radical Mystique, By the Sea... (Manhattan Theatre Club), Extremeties. She has worked in regional theatres all over the country. TV & Film: NYPD Blue, Profiler, Early Edition, Turks, To Have & To Hold, Dragonfly, Trauma and the award-winning short film Safe Storage.
PENNY SLUSHER (Miss Prism) appeared last winter at Court as Mrs. Malins in the revival of James Joyce’s “The Dead.” Recently she played Simona in The Outfit at Serendipity Theatre, Rosemary (Jeff Citation nominee) in Griffin Theatre’s Picnic, and Mrs. Grogan in Famous Door’s Jeff Award-winning production of The Cider House Rules. She will be seen this spring at Writer’s Theatre as Nettie in The Subject Was Roses.
BILL MCGOUGH (Rev. Canon Chasuble) is making his Court Theatre debut. He was most recently seen in the world premiere of A Dublin Bloom at Irish Rep. He has performed at the Goodman (The Death of Bessie Smith), Apple Tree (The Sign of the Four, Pygmalion), Next Theatre (In the Blood), Steppenwolf (The Time of Your Life, As I Lay Dying), CCPA (Miracle on 34th Street), Northlight (The Gamester), Raven Theatre (too numerous to mention), and with The Hypocrites (Henry 5, The Cherry Orchard, Marat/Sade).
MAURY COOPER (Lane/Merriman) was the recent recipient fo the 2003 Jeff Award for Best Supporting Actor in Judgement at Nuremburg with Shattered Globe Theatre. Nationwide credits include the Guthrie Theater; Yale Repertory, Milwaukee, Berkley, Portland (Oregon), Cleveland Playhouse, Denver, Indiana, ACT (Seattle), Alley Theatre (Texas), Theatre Calgary, Manitoba, The Shaw Festival (Canada), Broadway and Off-Broadway. His Chicago resume lists Court Theatre, Steppenwolf, Next Theatre, Northlight, Remy Bumppo, and Goodman Theatre. He is pleased to be returning to Court.
 

STAGE MANAGEMENT

LAXMI KUMARAN (Production Stage Manager) has worked as a stage manager in Chicago for the past eight years. A selection of shows she has stage managed at Court Theatre include James Joyce’s “The Dead,” The Romance Cycle, Cyrano, Phédre, The Learned Ladies, The Invention of Love, and Gross Indecency with such directors as Charles Newell, JoAnne Akalaitis and Gary Griffin. Other theatres include The Goodman, Lookingglass with 500 Clown, The Royal George, Apple Tree, First Folio Shakespeare Festival and Next Theatre. She has taught stage management classes at Northern Illinois and DePaul Universities.

  MARY KATE GAVIN (Assistant Stage Manager) is pleased to return to Court Theatre for another wonderful show. Prior credits include: Stage Manager for Broadway Bound, Fools, Soufflé Surprise, Deathtrap, Caught in the Net, Proof and Taffetas (Peninsula Players); PULP (About Face Theatre); and The Joy of Going Somewhere Definite (Collaboraction). She was the Assistant Stage Manager for James Joyce's “The Dead” and The Romance Cycle (Court Theatre), Mom’s the Word (The Royal George), and A Midsummer Night’s Dream (Chicago Shakespeare Theater-Short Shakespeare). Mary Kate also worked as the Floor Manager at The Goodman Theatre for two years where she had the opportunity to work on shows like Boy Gets Girl (American premiere), House and Garden (American premiere), Wit and The Visit (world premiere). She is a graduate of DePaul University’s Theatre School.
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