DANIEL ALLAR (Big Jule) is honored to return to Court Theatre where he appeared in The Cherry Orchard and An Ideal Husband. Other Chicago theatre credits include Fezziwig and Christmas Present in A Christmas Carol (Goodman); Lennie in Of Mice and Men (Organic); Owen Musser in The Foreigner (Drury Lane Oakbrook); Timon of Athens and Troilus and Cressida (Shakespeare Rep); Greater Tuna (MRT and Center Theatre); and Assassins (Apple Tree). Dan has also worked at Candlelight, Forum, Drury Lane Evergreen Park, First Folio Shakespeare Festival, and Pheasant Run. His film and television credits include Rooter in Henry: Portrait of a Serial Killer Part 2, Mask of Sanity, two episodes of Early Edition (CBS), and one episode of What About Joan? (ABC)
 

LANCE STUART BAKER (Harry the Horse) is appearing in his seventh Court production, following Pericles, Cymbeline, Hamlet, Twelfth Night, Piano and The Invention of Love. His eighth Court production will be Cyrano in May. He was most recently seen in The Santaland Diaries at the Chopin Theatre for Roadworks Productions. Other shows include: the Midwest premiere of Lobby Hero, directed by Robert Falls at the Goodman, for which he received a Jeff nomination; No Place Like Home at Steppenwolf; The Grey Zone at A Red Orchid; Indulgences in the Louisville Harem for Rivendell; and Adam Rapp’s solo monologue Nocturne for Naked Eye.

  KELSEY COLLINS (Mimi, Agatha) has been entertaining audiences since she was ten years old: from community theatre productions of Gypsy, 42nd Street, and Crazy for You to commercials for 5th 3rd Bank and Famous Footwear. This is her first time performing at Court Theatre and she is thrilled. She would like to thank her parents, John, her friends, and of course Court Theatre for helping her become a better entertainer and individual.
  BEN DICKE (Rusty Charlie) is elated to be making his debut at Court Theatre. He is currently pursuing a Master of Fine Arts in Acting at Roosevelt University where he has played the roles of Antipholus of Syracuse in Comedy of Errors and Mack the Knife in The Threepenny Opera. Other favorite roles include Nathan Detroit and Benny Southstreet in Guys and Dolls, Truffaldino in Servant of Two Masters, Groucho Marx in Groucho: A Life in Revue, and Bobby Childs in Crazy for You.
JEFF DUMAS (Nicely Nicely Johnson) makes his Court Theatre debut. Recent credits include the world premiere of Stephen Sondheim’s Bounce (Kennedy Center and Goodman); Sunday in the Park with George, The Tempest, and Pacific Overtures (Chicago Shakespeare); the workshop of Winesburg, Ohio (Steppenwolf); Man of La Mancha (Light Opera Works); and the world premiere of A Wit’s End (Florida Stage). Other credits include The House of Martin Guerre and Light Up the Sky (Goodman); Strike Up the Band, One Touch of Venus, and Babes in Arms (Ovations! at the Auditorium Theatre); Carousel and Grease (Drury Lane Oakbrook); and Little Shop of Horrors (Madison Repertory Theatre).
DON FORSTON (Arvide) is making his Court Theatre debut with Guys and Dolls. He is a four time Jeff nominee and the proud recipient of a 2002 After Dark Award for his portrayal of Alfie Doolittle in Drury Lane Oakbrook’s production of My Fair Lady. Don wishes to dedicate this performance to his sons, Daniel (Little League All Star), Chris (Football Star), and Sean (Actor Extraordinaire), and his wife and best friend, Mary Pat.
NEIL FRIEDMAN (Benny Southstreet) is happy to be back at Court Theatre where he also appeared in “The Dead,” The Romance Cycle and My Fair Lady. Other Chicago credits include The Taming of the Shrew, Pacific Overtures, King Lear, and over twenty other productions (Chicago Shakespeare Theatre); Early and Often and Ghetto (Famous Door Theatre); Zoot Suit and Wings (Goodman Theatre); A Few Good Men (Theatre at the Center); 1776, The King and I, Chess, Matador (Marriott Theatre); My One and Only, The Hunchback of Notre Dame, and Jesus Christ Superstar [Joseph Jefferson Award] (Drury Lane Oakbrook); Woody Guthrie’s American Song (Northlight Theatre). Regional credits include Capital Repertory Theatre, Albany, New York; Florida Studio Theatre, Sarasota; Coconut Grove Playhouse, Miami; Pope Theatre, West Palm Beach; Children’s Theatre Company of Minneapolis; and Austria’s Vienna English Theatre.
HEIDI KETTENRING (Miss Adelaide) spent the summer at Peninsula Players in The Taffetas and in Bar Harbor, ME in I Do! I Do! Other performances include the National tour of Disney’s Beauty and the Beast (Belle cover); Funny Girl (Fanny Brice) and Carousel (Carrie) at Marriott Lincolnshire Theatre; Always…Patsy Cline (Patsy) and Little Shop of Horrors (Audtrey) at Theatre at the Center; Joseph and the Amazing Technicolor Dreamcoat (Narrator) and How to Succeed in Business Without Really Trying (Rosemary) at Drury Lane Oakbrook Terrace; And the World Goes ‘Round at Drury Lane Evergreen Park; Side Show at Northlight, and the Berstein Celebration at Ravinia. Heidi is a proud graduate of Northwestern University.
  SUSAN MONIZ (Sarah Brown) most recently performed the roles of Julie in Show Boat, Yum Yum in Hot Mikado and Julie Jordan in Carousel at Marriott Lincolnshire. Previously she performed at Drury Lane Oakbrook as Eva in Evita and Susan Lawrence in big, The Musical (Dark Night Award). On Broadway, Susan played Sandy (opposite Jon Secada) as well as Rizzo in Grease! She played Josephine/Monica in the Cherry County Playhouse production of Romance/Romance which was taped and aired on A&E. Other regional credits include productions of Woody Guthrie’s American Song at the Goodspeed Opera House, Northlight Theatre and a national tour with Missouri Repertory Theatre. Susan also appeared at Ford’s Theatre in Washington D.C. in Hot Mikado. Other favorites include Peggy Sue Got Married (world premiere), West Side Story, The King and I and Kismet (Jeff Award). At Apple Tree Theatre, she appeared in Anna Karenina, Romance/Romance, and The Heiress. “I can do everything through Him who gives me strength” Php. 4:13.
 

DAVID NEW (Sky Masterson) previously appeared at Court Theatre in Pygmalion, Macbeth, Candida, Fuente Ovejuna, and Sleuth. He appeared on Broadway in Thou Shalt Not. Recent Chicago credits include Affluenza! at Victory Gardens, and The Royal Family at Steppenwolf. He also appeared in Steppenwolf’s productions of Morningstar, Valparaiso, The Ballad of Little Jo, The Glass Menagerie, and Slaughterhouse Five. Chicago work also includes productions with the Goodman Theatre, Chicago Shakespeare, Writer’s Theatre, Northlight Theatre, Apple Tree, Marriott’s Lincolnshire Theatre, Drury Lane Oakbrook, Drury Lane Evergreen Park, Body Politic, Wisdom Bridge, and the Itinerant Theatre Guild. Regional work includes productions with the Ontario Stratford Festival, New Jersey Shakespeare Festival, Madison Repertory, The Huntington Theatre of Boston, The Attic Theatre of Detroit, Michigan Opera Theatre, Peninsula Players, and The Actor’s Theatre of Louisville. He is a Sarah Siddons Award recipient, and a Stratford Festival Associate.

 

SCOTT PARKINSON (Nathan Detroit) returns to Court, where he appeared in Phèdre and A Midsummer Night’s Dream. His Chicago credits include sixteen productions at Chicago Shakespeare, including Queen Margaret in Edward Hall’s Rose Rage, the title role in Richard II, Cassius in Julius Caesar, the Fool in King Lear, and Speed in The Two Gentlemen of Verona; the title roles in Hamlet and Richard III, and Iago in Othello (Shakespeare on the Green); Crime & Punishment, Booth, Candida, and The Glass Menagerie (Writers’ Theatre); Among the Thugs (Goodman Theatre); The Gamester (Northlight Theatre); Angels in America (The Journeymen); and appearances with Roadworks, Pegasus Players, ShawChicago, WBEZ’s “Stories on Stage,” the Grant Park Music Festival, and the Art Institute’s “Voices” series. Regional credits include Mercutio in Daniel Sullivan’s production of Romeo & Juliet and Jack O’Brien’s production of The Seagull (Old Globe).

 

DUANE SHARP (Lt. Brannigan) is pleased to return to Court, previously appearing in A Midsummer Night’s Dream and Once in A Lifetime. Most recently Duane played the Prime Minister in On The Rocks with Shaw Chicago. Duane has also performed with the Goodman, Steppenwolf, Chicago Shakespeare, Apple Tree, Roadworks, and many other area theatres. Screen credits include Road to Perdition, Stir of Echoes and the recently wrapped Godfather of Greenbay for film and Early Edition and Kevin’s Room for TV. Duane is active in Shidokan Karate and Brazilian Jiu-Jitsu. He thanks his wife Debra for her love and support.

  TINA THUERWACHTER (General Cartwright) has performed as “Sister” in Late Nite Catechism in Chicago and on the National Tour for the past three years. She has previously appeared at Court in The Beggar’s Opera, A Chorus of Disapproval and The House of Blue Leaves. Other Chicago credits include Chicago Shakespeare, Steppenwolf Theatre Outreach Program, Next Theatre, Apple Tree Theatre, and City Lit, among other theaters. She received a Jeff Citation for her portrayal of Napoleon in Animal Farm.
  STAGE MANAGEMENT
  LAXMI KUMARAN (Production Stage Manager) has worked as a stage manager in Chicago for the past seven years. A selection of shows she has stage managed at Court Theatre include James Joyce’s “The Dead,” The Sound of a Voice, Phèdre, Life’s a Dream, Mary Stuart, Piano, The Little Foxes, The Learned Ladies, The Invention of Love, and Gross Indecency with such directors as JoAnne Akalaitis, Charles Newell and Gary Griffin. She has also stage managed A Christmas Carol, Long Day’s Journey Into Night, and Galileo Galilei at the Goodman Theatre working with Robert Falls and Mary Zimmerman. Other theatres include the Royal George, Apple Tree Theatre, First Folio Shakespeare Festival and Next Theatre. She has taught stage management classes at Northern Illinois, DePaul, and Northwestern Universities.
  ELLEN HAY (Assistant Stage Manager) returns to Court Theatre where she stage managed My Fair Lady, The Chairs, Mary Stuart and The Invention of Love, and was floor manager for the 98-99 season. She is also a stage manager at The Goodman Theatre, where her credits include the Edward Albee One-Act Festival, The Play About the Baby, Seneca’s Trojan Women, Lobby Hero, The Gift Horse, House and Garden, Millennium Mambo and Mirror of the Invisible World. Ellen also stage managed Bent with Gilead, Hamlet with Lookingglass and Two Timing with Roadworks, and was the Road Manager for the Nebraska Theatre Caravan’s East coast tour of A Christmas Carol.
  MUSICIANS
  MIKE COMBOPIANO (Trumpet) became fascinated with the trumpet, not the piano (although his name might suggest otherwise), when he was four years old. Since that time, he has played in numerous operas and musicals, starting with his parents’ opera company. Mike graduated from Northwestern University in 1991 with a degree in trumpet performance, and enjoys playing jazz, salsa and musical theater in the Chicago area.
  GEOFFREY LOWE (Upright Bass) spent his formative years in Colorado playing violin, guitar, piano, and basses. A graduate of Colorado State University, Geoffrey has performed at The Chicago Jazz Festival, The North Sea Jazz Festival (The Hague, Holland), Monteaux Jazz Festival (Monteaux, Switzerland), Park Tower Blues Festival (Tokyo, Japan), and Spoletto Music Festival (Spoletto, Italy). In addition he has played with Ben E. King, The Shirelles, The Platters, The Coasters, Bob McGrath (Sesame Street), and Barrett Deems. Geoffrey writes and plays Jazz, R&B, New Age, Blues, Brazilian, and Classical music as his schedule allows.
  ROBERT REDDRICK (Drums) began playing music at age 7, when he started taking piano lessons. He later discovered an old snare drum, and while keeping time with records, realized drumming was his true love. A graduate of Columbia College, Robert has appeared at The Kennedy Center, on NBC’s The Today Show, and performed for former President George Bush. As the resident music teacher for Free Street Theatre’s Literacy Through the Arts community outreach program, he was included in a nationwide story on ABC’s World News Tonight with Peter Jennings. In 1995 after a 5-month tour in the Middle East, he formed his own band, Spectrum (now known as the R2Project). While in Japan with the band, they were visited by many world famous entertainers, one of which was the Platters. Shortly after seeing their performance, Robert was hired by the Platters and spent a few years touring with them. He is the assistant music director for The Black Ensemble Theater, and recently had the pleasure of performing with them at the legendary Apollo Theater in Harlem, NY, and recording with Melba Moore. Currently Robert is preparing to perform in support of “Ecstasy” and looking forward to performing this new music on stage.
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