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| Designers |
| MICHAEL
BROWN
(Scenic Designer) Broadway: The Price (dir. James
Naughton). Associate Design: Private Lives, The Crucible, The
Rocky Horror Show. Off-Broadway: Open Heart, Meshuggah,
Texarkana, Waltz, World of Mirth (Drama Desk Nomination), Unwrap
Your Candy, No Niggers, No Jews, No Dogs, Joe Fearless, The Exact
Center of the Universe, The Most Fabulous Story Ever Told.
Regional: Nat King Cole & Me, The Merchant of Venice, A
Streetcar Named Desire, King Hedley II, Jitney (Denver Center),
Proof, Book of Days (Arena Stage), M. Butterfly
(Syracuse Stage), This is Our Youth, Sideman (Philadelphia
Theatre Company), and five seasons at the Williamstown Theatre Festival.
Current Projects: Blue Room (Signature Theatre), Dirty
Story, Oedipus Rex, Madwoman of Chaillot (Denver Center). Michael
is a graduate of Brown University (BA) and Brandeis University (MFA). |
| JACQUELINE
FIRKINS (Costume Designer) Design work
includes sets and/or costumes for over 15 productions at Portland
Stage Company, A Midsummer Night's Dream at Shakespeare
Festival of St. Louis, You're a Good Man Charlie Brown,
The Fantasticks at Idaho Shakespeare Festival, Heaven
Can Wait at Westport Playhouse, Much Ado About Nothing
at Shakespeare and Company, Richard II and Love's Labours
Lost at Shakespeare Festival of Tulane, Marathon of New
Plays 2001 for EST, A Cup of Coffee at Yale Repertory
Theatre, The Illusion, The Crucible, Much Ado About
Nothing, The Visions of Simone Machard, A Midsummer Night's Dream
and La Dispute for New Jersey Shakespeare Festival, Waiting
for Godot for Brave New Repertory, Solomon Breaks and
Gardens of Torture for About Face Theatre Company, Life
Is a Dream, Hamlet and Twelfth Night at Yale School
of Drama. Independent film design includes Now and Again
and Morning Comes. Jacqueline is a Recipient of a 2001
Princess Grace Award and a faculty member at Loyola University Chicago. |
| MICHELLE
HABECK
(Lighting Designer) Broadway: Thoroughly Modern Millie,
Projection Design (also National Tour & London) Regional: Court
Theatre (Guys and Dolls, The Romance Cycle) Goodman Theater
(Lobby Hero, The Christmas That Almost Wasn't) Steppenwolf
Theatre (Ten Percent Of Molly Snyder) Alliance Theatre
(Who's Afraid Of Virginia Woolf?) Indiana Repertory Theatre
(Amber Waves, LD) (An Almost Holy Picture, SD)
The Swine Palace Repertory Theatre (Waiting for Godot)
Northlight Theatre (A Skull In Connemara). Chicago credits
include designs with: Next Theatre, American Theater Company, Lookingglass
Theatre Company, Rivendell Theatre Ensemble, Strawdog, Eclipse Theatre,
Uffish Theatre, Irish Repertory Theatre and The Chicago Field Museum.
Associate Design: The Boy From Oz, Movin' Out (Broadway),
Playing With Fire: Julie Taymor Museum Exhibit, King
Hedley II (Regional, Broadway), Gem Of The Ocean (Regional),
The Ringling Brothers and Barnum & Bailey Circus Blue Group
2002. Awards: 2002 Michael Merritt (Michael Maggio) Emerging Artist
Award, The 2002-2004 NEA/TCG CDP Grant for Designers, a Finishers
Medal for the 2003 Lasalle Bank Chicago Marathon. Michelle holds
an MFA in Lighting and Scenic design from Northwestern University. |
| JOSHUA
HORVATH
(Co-Sound Designer/Composer) is proud to be back at Court
after designing Guys and Dolls and The Romance Cycle.
Recent projects include: Proof (Goodman), Tempest
and Titus Andronicus (Milwaukee Shakespeare Theatre), Homebody/Kabul
and Les Blancs (University of Madison), Taking Care,
Jesus Hopped the A' Train, and Winesburg, Ohio (Steppenwolf),
Nocturne (Naked Eye), They All Fall Down (Lookingglass),
Vintage Red and the Dust in the Road, Trivial Pursuits,
and Devil's Sonata (Visions and Voices), Hannah and
Martin (Timeline), Spitfire Grill, Jammin' with Pops,
and Dirty Blonde (Apple Tree), Children of Eden
(Northwestern University). He has designed Ghosts, Abducting
Diana, Noises Off, Polaroid Stories, and Assassins
at DePaul University where he teaches Sound Design and Technology.
Assistant Sound Design: Bounce (Goodman). Associate Sound
Design: La Luna Muda and Secret in the Wings (Lookingglass).
Upcoming productions: Electricidad (Goodman), and The
Fantasticks (Metropolis). Josh is a production affiliate of
Lookingglass Theatre Company. He has also composed music for the
feature length film Stray Dogs, and the short Pretty
Ladies: the Super8explosion. |
RAY
NARDELLI
(Co-Sound Designer/Composer) has composed music and designed
sound at The Goodman Theatre, Steppenwolf Theatre Company, Chicago
Shakespeare Theater, Northlight Theatre, Apple Tree Theatre, Lookingglass
Theatre, Victory Gardens Theatre, The Gift Theatre, Northwestern
Theatre, DePaul Theatre, Notre Dame Summer Shakespeare, Meadow
Brook Theatre, Oak Park Festival Theatre, Dolphinback Theatre,
American Girl Theatre, Skylight Opera, and Wright State University
Theatre. Assistant Sound Design credits at the Goodman, Steppenwolf
Theatre, Manhattan Theatre Club and at the Next Theatre. Ray has
recorded, mixed and produced CDs for the musicals The Sound
Of One and La Luna Muda. Film credits include Stray
Dogs, Pretty Ladies, and Crush. Ray teaches Sound
Design at DePaul University and Northwestern University. Other
work includes sound and music used on NPR, PBS, NBC's The
Today Show and Jeff Gordon Racing, A CD-ROM game.
Memberships include ASCAP & IATSE #2. |
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