Fraulein Else

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THOMAS J. COX (Porter) is making his Court Theatre debut. For Lookingglass (founding ensemble member): The Odyssey, The Jungle, West, Arabian Nights, The Master and Margarita, The Great Fire, Nelson Algren: For Keeps and a Single Day, Summertime, and Great Men of Science, among many; directed his Jeff-nominated adaptation of The Scarlet Letter; also teaches drama. Weston Playhouse Theatre in Vermont: including Amos Hart in Chicago, Morning's at Seven, Pirates of Penzance, Oklahoma, and Ragtime.

LINDA GILLUM (Cissy) makes her debut at Court Theatre in Fräulein Else. She is an Artistic Associate with Remy Bumppo Theatre Company where she has appeared in Some Americans Abroad, A Child's Christmas in Wales, Holiday, Top Girls and Man and Superman. Directing credits include Flaming Guns of the Purple Sage and The Skriker (for Defiant Theatre of which she is a member) and the world premiere of Vikings! A Musical in Two Axe with Noble Fool Theatre. Linda has also worked with A Red Orchid, Mercury, Northlight, Roadworks, Steppenwolf and ShawChicago. TV/Film credits include Early Edition, Haunted, Bruised Orange, and Veridical Dreams.

NED NOYES (Paul) returns to Court Theatre for his fourth production, having appeared as Leandre in Scapin, Freddy in My Fair Lady, and Kent in Mary Stuart. Recent credits include The Taming of the Shrew (Chicago Shakespeare Theatre); Orson's Shadow (Chicago Center for the Performing Arts); And Neither Have I Wings to Fly (Fox Theatricals); and several shows with Roadworks, including Stupid Kids, Betty's Summer Vacation, and Life Under 30. Other credits include WBEZ's Stories on Stage (Museum of Contemporary Art); the regional premiere of Titanic: The Musical (Gateway Playhouse); and work at Northlight Theatre. Ned is a graduate of Northwestern University.
RODERICK PEEPLES (Herr von Dorsday) is happy to return to Court's stage, where he was last seen in Gross Indecency. He recently played the title role in King Lear and Shylock in Merchant of Venice for Illinois Shakespeare Festival, and appeared in Famous Door's The Lonesome West and Chicago Shakespeare's acclaimed revival of Pacific Overtures. Other work includes productions at Goodman, Steppenwolf, Next, Organic, and Powertap. He received Jeff Awards for his work in Roadworks' Dealer's Choice and CT20 Ensemble's Orphans. On television, Rick has appeared in ER, What About Joan, Early Edition, and the Untouchables series. Film work includes Robert Altman's The Company, Road to Perdition, Novocaine, The Hudsucker Proxy and independent films Fair Ball, Sharkskins and Brother II.
PAULA SCROFANO (Mother) appeared at Court Theatre last season as Gretta Conroy in James Joyce's “The Dead” and was delighted to reprise her performance in this season's revival. Her other Court credits include Judith Bliss in Hay Fever and the Wife in Putting it Together, for which she received a Jeff Award. She lists among her Chicago area credits Zlata in Necessary Targets at Apple Tree Theatre; Mama Rose in Gypsy at Theatre at the Center; Desiree Armfeldt in A Little Night Music and Dot/Marie in Sunday in the Park with George at Goodman Theatre; Kate in The Ballad of Little Jo at the Steppenwolf Theatre; Bella in Lost in Yonkers and Maria Merelli in Lend Me a Tenor at Royal George Theatre; the title role in Victor/Victoria, Ida in Honk, and Meg in Damn Yankees at Marriott Theatre; Titania in A Midsummer Night's Dream at First Folio Shakespeare; and a Jeff Award for Lily Garland in On the Twentieth Century at Drury Lane Oakbrook. She is married to actor John Reeger.
WHITNEY SNEED (Else) is honored to make her debut at Court Theatre. Her past credits include Orange Flower Water at Steppenwolf Theatre Company, The Laramie Project, The Marvelous Wonderettes, and The Fall Festival of the Future at Madison Repertory Theatre, Romeo and Juliet at Chicago Shakespeare Theatre, Paragon Springs, Gaslight, and Halcyon Days at Timeline Theatre, The Mysteries of Harris Burdick at WNEP Theatre, The American Girl Revue and Circle of Friends at The American Girl Place as well as Independent films including Jeff Farnsworth, Black Off a Crow and Adam. She wants to thank Scott for his ongoing love and support.
 

STAGE MANAGEMENT

CHRISTINE D. FREEBURG (Production Stage Manager) is thrilled to be back at the Court after six months at the Weston Playhouse in Weston, Vermont, stage managing Morning’s at Seven, Ragtime, and a New England tour of Fences. Chris has stage managed Scapin and Hamlet at Court and spent a few years at Apple Tree Theatre in Highland Park and at Lookingglass Theatre Company. Chris is happy to be working with her husband, Thom Cox, back home in Chicago.

  SARA GAMMAGE (Assistant Stage Manager) is delighted to be working at Court Theatre. Previous stage management credits include And the World Goes ‘Round at Next Theatre, The Last Five Years at Strawdog Theatre, and Ensemble Español at the Auditorium Theatre. Sara looks forward to stage managing at the Wagon Wheel Theatre in Warsaw, Indiana this summer. She is an alumna of Northwestern University. Thanks to God, friends and family.
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