Open Rehearsal: The Court Theatre Blog
May 14, 2009
The Ever-Evolving Preview Process
What a whirlwind week we have had here at Court Theatre! We are thick into the preview process for The Piano Lesson, and enjoying our ever-evolving process as we look forward to our opening weekend. One of the things that makes Court unique is the way our preview process is structured. At many theatres there are one or two previews before opening. At Court, we have nine previews that take place over two weeks, culminating with our two openings—one for the press, one for our Court Board and staff, in addition to our patrons. This length of preview process allows us to continue our explorations in front of our spectators, to listen and respond to feedback, and to really hone all aspects of our production en route to the official début.
After every one of our previews we host a post show discussion, moderated by the dramaturg and usually with the show’s director and members of the design team. As both Resident Dramaturg at Court, as well as the Production Dramaturg for The Piano Lesson, I really enjoy hosting these conversations, and getting to know our audiences throughout this preview process. For The Piano Lesson previews, Director Ron OJ Parson has been onstage for each preview, and he has invited the cast onstage each night as well. Last night in addition to Ron and myself, Assistant Director Logan Vaughn, Set Designer Keith Pitts, Costume Designer Christine Pascual, and nearly all the cast congregated onstage to field questions, listen to comments, and engage in discussion about the production. Sound designer Nick Keenan even fielded questions from the back of the theatre. It felt like a warm and wonderful family gathering, and we so enjoyed talking with U of C students, long-time subscribers, and first-time theatergoers. We tackled subjects from a deconstruction of The Century Cycle, to magical realism and the role of spirituality in the play, to a comparison of August Wilson and Gabriel Garcia Marquez, to how the carved piano onstage was made.
We look forward to our final two previews, to opening weekend, and to seeing you at the show very soon.
-Kate Bredeson, Resident Dramaturg
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