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2011/2012 Season

  • Spunk
    September 8 – October 9
  • An Iliad
    November 10 – December 14
  • Court Theatre in 2012
    January 11 – June 3
  • Invisible Man
    January 12 – February 19
  • Angels in America: Millennium Approaches
    March 30 – June 3
  • Angels in America: Perestroika
    March 30 – June 3
Season Tickets

"Must-see" -Chicago Tribune

Invisible Man

January 12 – February 19

A photo from Invisible Man

Chris Jones Review in the Chicago Tribune: 3 1/2 Stars "a remarkable piece of made-in-Chicago theater that deserves to attract national attention" Read the full review.

Hedy Weiss Review in the Chicago Sun-Times: Highly Recommended "a galvanic, emotionally fevered world premiere." Read the full review.

Chicago Sun-Times critic Hedy Weiss on WTTW’s Chicago Tonight: "It is a performance that your really should not miss." Watch the video.

Kris Vire Review in TimeOut Chicago: 5 Stars "stunningly successful ... This Invisible Man should be seen far and wide." Read the full review.

From Chris Jones at the Chicago Tribune: An invisible man, live on stage. First adaptation of Ralph Ellison's novel debuts at Court Theatre.  Read the full article.

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Next Up

Angels in America: Millennium Approaches

March 30 – June 3

“The Great Work Begins.” The year is 1985: Ronald Reagan has just been reelected to a second term, and the deadly AIDS epidemic is at its height in New York City. Tony Kushner’s two-part epic historical drama captures the lives of the HIV-positive Prior; Louis, his lover; Joe, a closeted, gay Mormon; his Valium-addicted wife Harper; Roy Cohn, a notorious lawyer from the McCarthy hearings who is dying of AIDS; Belize, his African American nurse; Hannah, Joe’s mother from Utah; and the Angel, a terrifyingly beautiful herald of the apocalypse. As these characters discover, confront, and seduce each other during a time of death, hypocrisy, and tumultuous change, Kushner summons a restless pastiche of the historical and the supernatural, the theological and the political—all told with surging theatricality by a company of eight actors.


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